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Una voz para Cristo hola los link ya estan rotos.... ojala los puedas actualizar por fis agosto 17, 2009 el link no sirve!! agosto 30, 2009 jhonny.. no me funcionan los links a mi podrias actualizarlos?? gracia de antemano octubre 11, 2009 grasias por aportar con un idea innovadora en el campo de la sesito enero 24, 2010 Nomada Jhony excelente aporte pero el link ya no funciona junio 06, 2010 no sirven los link!!!!! agosto 02, 2010
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why they have to target that two teenagers in the book? Okay, nearly have sex with your best friend's boyfriend and help bullying a girl is certainly bad, but why would these "sinners" deserve the special attention from deities/mystical supernatural creatures? Just because the author said so!? Aren't there bigger fishes in the sea? Aren't there eviler sinners deserve to be punished? And then I have problem with how those Furies "punished" the sinners, posting their photos of humiliation online isn't a cool, fair way to punish them. It only makes you look like you're some highschool bullies who have nothing better to do than bullying and laughing at people. Comparing with Fury, the ways Hell Girl deals with grudges, and how she punishes the sinners, makes 100% more sense. As to the main characters, none of them are likable, interesting nor sympathetic in the tiniest of sense. I will get to them one by one: Emily: I want to like her, there're many traits in her personality that I'd have liked, I really do want to like her.
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Family Return Tickets are issued to family groups consisting of one or two adults and up to a maximum of three children under sixteen years of age.
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It aired—live—on September 20, 1954. 2. It's the only film Henry Fonda ever produced. The actor saw the TV production and felt strongly that it would make a great movie. Unable to find any producers willing to take a risk on it (a serious, single-room drama in a time when colorful widescreen epics were in fashion), Fonda teamed up with the writer, Reginald Rose, to produce it themselves. Fonda wound up hating the experience—not the acting side, which he loved (and he was always very proud of the film), but the business side. He hated having to worry about financial and logistical details, and couldn't stand watching himself in the daily rushes (which producers, but not necessarily actors, are expected to do). 3. Marty helped it get made. While Fonda and Rose were trying to get a movie version of 12 Angry Men off the ground, audiences were falling in love with Marty, a romantic drama starring Ernest Borgnine that would go on to win the Academy Award for Best Picture. The reason it's significant is that Marty had also begun life as a teleplay for a TV anthology series, and was the first successful TV-to-movie adaptation.
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